snapshot of score of Short Change

Short Change for brass band

Good morning! Welcome to my web site, where you can find out about my music, and listen to some of it, as well as my various other ventures over the years.

12 July 2019

What I now regard as my definitive Trumpet Concerto (originally for trumpet and brass band) is complete and here for you to read about and enjoy. The finale got quite groovy in the end with some prog-rock-ish stuff in 11/16, and makes full use of the bass guitar and drumkit I treated myself to in the orchestra. I’ve had some favourable comments about it, especially about the slow movement, which is a sort of lament for Duke Ellington.

And in the gap before I embark on another musical project, I’ve got my old web programming skills creaking back into action — though what I’m doing is purely for private consumption...

...and someone’s downloaded my ancient After Dark modules! (click on ‘Antediluvian Screen Savers’)

PsychoYogi News

(For newcomers to this site, along with the activities described here, I also play fretless bass guitar in PsychoYogi — see my Biography.)

First, and most crucially, we have acquired a capital Y in PsychoYogi! (But it's still one word.)

My own Kapadokya, which was developed from one of the tunes I originally wrote for The Europeans back in 1995, has developed somewhat and is now an established part of our repertoire. This is, as far as I know, the first non-Ramsing composition PsychoYogi has ever played!

We’re taking part in the Birds Nest’s annual ‘Nestival’ over August bank holiday weekend. We’re due to play (in theory) at 19:30 on Monday 26th, for 45 minutes, and we’re assured this is all safe information. But who knows, something else might still crop up in between! For the clearest view of the full schedule, go to this Facebook page and click on the fourth post down (’Nestival is in 2 and a half weeks…’, except it actually starts today, as I write). You’ll find us in the right-hand column, near the bottom. (I’ve heard of, but not heard, about three of the other acts listed!)

The ‘live’ videos of four of our songs have been well received and appreciated. These were not in front of an audience, hence my scare-quotes, but we did play and record in real time — it was all done in our (former?) drummer Jonas Golland’s bedroom! It was good fun, if a little tricky to negotiate the stands for three mics, three cameras and three lights in a very confined space — but we managed. They’re all on YouTube: Therapy Session, The Magic Tellingbone, Happy Family and Evening Call.

[I put ‘(former?)’ before Jonas’s name above because he has followed other directions. Instead we have the excellent Ravi Low-Beer behind the kit, so all is well drummer-wise!]

The album Shrine is still available to download and listen to on iTunes, Spotify and Amazon (among others?).

Older News

Apart from all that, naturally, this web site: explore my works, read my biography, keep track of your harp pedal settings, and see what’s on the various other pages. You can also get in touch with me via the Contact form. And for those with a taste for historical technical curiosities, there’s even a page about my NotaFile document — and the document itself.

As well as listening to my MIDI recordings on this site, you can visit my channels on YouTube and SoundCloud to hear the same MIDI realizations of eight of my works, and see the same YouTube videos as you can see here, to get a glimpse of the scores (in most cases). These pieces are available: Hall of Mirrors V, Bebop, lovesongs, The Bossa Nova Variations, Return of the Son of the Bebop Variations, Variations on a Theme of George Harrison, Music for an Imaginary Ballet, Five Pieces for Saxophone Quartet and a little musical joke called Porterstraum.

Also on the Listen page is my standard disclaimer about MIDI recordings, and a note about browser compatibility with the players for YouTube, SoundCloud and plain MP3s embedded in these pages.

 
And in case anyone’s wondering, what I’m actually looking at in that photo is not the score of Short Change, but a large owl perched on my wrist.